With #WWE announcing the Fabulous Moolah Memorial Battle Royal for #Wrestlemania, the outrage about the choice has been building.
I had heard about some of the real history of Moolah, and this LONG post really details why this is a BAD idea by the WWE.
From PurpleGato42[+1]The Guy Fieri of Pro Wrestlingx4
In light of the controversy surrounding The Fabulous Moolah and her life, I decided to find everything I could on the subject and typed up this 6,000 word super post listing every terrible thing that Moolah has ever done with videos, interviews, quotes, and different sources to back everything up. (self.SquaredCircle)
In the previous days following the WWE announcing a battle royal at WrestleMania in honor of The Fabulous Moolah, there’s been a lot of talk surrounding The Fabulous Moolah and her life. And a lot of this has been outrage. With this, however, came a counter group that grew out of this talk, almost like a tumor, and, in this case, this group has claimed that Moolah did nothing wrong and that everything thrown her way has been nothing but hearsay with no definite proof.
And this is fucking stupid.
See, I’ve always had a fond place in my heart for The Fabulous Moolah similar to how there’s a fond place for Moolah in hell, and despite literal decades of proof and first hand experience on why Moolah is absolute dolt, the notion of this group coming out of the woodwork of Wreddit and shouting “fake news!” at it all is a little mind boggling. So, right now, at 3:12 am on a Monday night, I decided to take it up myself and start listing literally every single bit and piece I have on exactly what people have been saying about Moolah for the past forty years.
Just as a warning, this post is
because this is the laundry list of scandals throughout Moolah’s life. I’ll make sure to have a TL;DR at the end, but just know this takes time and I’m running out of coffee.
I’m gonna start this off with a lovely summary that does touch on most of the scandals throughout Moolah’s career, and this’ll almost be a TL;DR of sorts. I’m going to explain a lot of these in thorough depth, but this summary is here for you if you want the rough outline:
Over the years, various female wrestlers have come forward with stories accusing Ellison (Fabulous Moolah’s real name) of being a pimp that often provided various wrestling promoters with unsuspecting female wrestlers that would be used as sex objects. One of the most notorious accusations is from the family of Sweet Georgia Brown (Susie Mae McCoy). McCoy, who was trained and booked by Ellison and her then-husband Buddy Lee, told her daughter that she was often raped, given drugs and made an addict in an intentional attempt by Ellison and Lee to control her. Ida Martinez, who wrestled during the 1960s, also recalls that many of the regional promoters “demanded personal services” before they would pay the female wrestlers.
In a 2002 interview, Luna Vachon claimed that when she was sixteen years old and training at Ellison’s camp, Ellison sent her out of state to be photographed by an older man. Although she remained clothed during the photo shoot, Vachon stated she felt taken advantage of by Ellison and the older man. Vachon also stated that her aunt, Vivian Vachon, witnessed Ellison abusing alcohol and having sex with her female trainees.
Sandy Parker, a lesbian former pupil of Ellison’s, also claims that Ellison forbade her from going to any gay bars and tried to press her to date men. Parker says this enranged her, because “(Moolah) was two faced because she had her own little dalliances that we all knew about.”
As well as allegedly exploiting female wrestlers sexually, Ellison has been accused of using her financial influence to control the women’s wrestling scene and ensure that other women did not gain greater recognition. In addition to being a key participant in the original screwjob on Wendi Richter, Ellison used her influence to take over the spot originally held by her protégé Mad Maxine on the animated series Hulk Hogan’s Rock ‘n’ Wrestling. Maxine was about to receive a big push by Vince McMahon but left the WWF shortly afterwards, as Ellison was unwilling to provide her with additional bookings. Numerous other former trainees defected from Ellison after growing tired of sharing their paychecks with Ellison. Women wrestlers including Vivian and Luna Vachon, Ann Casey, and Darling Dagmar moved into other regions where Ellison had less control and negotiated their own payouts with promoters.
Both Judy Martin and Leilani Kai told in later interviews that Moolah would collect the women wrestler’s pay from promoters, and after taking out her own pay, would only give the girls half of the money they were owed (keeping half of their pay for herself, plus her own pay) and telling them that was all the promoter gave her to give them. Martin stated that shortly before Ellison left the WWF in 1988 (shortly after falling out with Martin and Kai due to Ellison no longer receiving their booking fees), she sabotaged the duo while they were touring Japan. Martin stated that Ellison contacted Japanese promoters and informed them that the Jumping Bomb Angels were supposed to drop the WWF Women’s Tag Team Championship to The Glamour Girls before Martin and Kai returned to the United States. This was contrary to the booking decision made by Pat Patterson before the Japanese tour began. Unable to reach Patterson by telephone, Kai and Martin agreed to win the titles from the Angels since Ellison had already misinformed the Japanese promoters. Martin stated that upon returning to the United States, Patterson was angry with them and confirmed that nobody within the WWF made the decision for the title change and that due to her long-standing relationship with the company, the WWF refused to listen to their explanation of Ellison’s deceit. Shortly thereafter, the WWF phased out the WWF Women’s Tag Team Championship. In a later shoot interview, Leilani Kai told that had things gone as the WWF originally planned, The Glamour Girls would have had a title match against the Jumping Bomb Angels at Wrestlemania IV and that Ellison’s actions had cost the four girls what would have been ultimately their biggest ever payday.
Women that chose to continue allowing Ellison to work as their booker were kept under tight control. Velvet McIntyre was forced to compete against Ellison (whom McIntyre stated she didn’t care for) at WrestleMania 2 instead of competing during an all-women tour of Kuwait with a group of Ellison’s other female wrestlers. Their Wrestlemania 2 match lasted less than two minutes with the referee ignoring McIntyre’s leg being on the ropes while she was being pinned. Women that did not agree to Ellison’s booking fees faced limited options. Rhonda Sing stated that Ellison contacted her and offered to let her wrestle Richter in a couple of pay-per-view matches for the WWF in 1985, but demanded she receive half of Sing’s pay check; a stipulation Sing was unwilling to accept. Penny Banner stated that her retirement was due in large part to Ellison refusing to allow any of her female wrestlers to accept bookings against Banner, which severely limited the number of bookings that Banner was offered by promoters.
Drugging of talent, pimping trainees for money, and holding down the entire North American wrestling scene to ensure that nobody surpasses you, just another Tuesday for The Fabulous Moolah.
Mary Lillian Ellison, who would later go on to become The Fabulous Moolah, was born on July 22, 1923, in Kershaw County, South Carolina. The youngest of five kids, her parents owned a farm, a grocery store, and a service station, but the family was still struggling. After her mother died of cancer, Mary moved in with her grandmother and, at age eight, started working on her cousin’s cotton farm to make money. Having discovered wrestling at age 10, Mary knew two things: that she wanted to be a wrestler and that she never wanted to be poor again. At age 14, Ellison graduated from high school and married a 21 year old named Walter Carroll. Together they had a daughter named Maretta, but, at age 15, Mary divorced Carroll and left the baby with a friend to pursue a future in professional wrestling.
Every single shady thing that The Fabulous Moolah has done in her life can be attributed to one key thing from her past: her fear of going poor. Moolah never wanted to return to that lifestyle, and it was this fear that led her to success. It was also this fear that drove her to screw over anyone she could in an effort to make as much money as she could. Moolah’s greed caused the suffering of countless women throughout her career, and the stories I’m about to bring up are only a handful of those instances.
The Moolah Compound
Moolah liked to maintain a stranglehold on wrestling. Thanks to her status in the industry, The Fabulous Moolah managed to corner the market of women’s wrestling and became the only booker in town for women looking to break in the industry. Though Moolah obviously didn’t train every woman in North America, Moolah became the top booker for women and demanded that any women looking for a job would have to sign an exclusive contract with her and allow Moolah to book for them and have any paychecks sent to her before anyone else. Another thing Moolah required these girls to do to ensure that they could not surpass her was that she demanded that the trainees at her camp rent a duplex on her property and live on her “compound”. There are plenty of first hand accounts of life on “The Moolah Compound”, but the one that I’m going to bring up is from Debbie Johnson, who trained under Moolah in Kentucky.
That’s easy. Moolah… first of all, she was just plain evil. Never trusted her or liked her very much. She took advantage of all who worked for her, in many ways. People think it was all glamorous… Moolah managed to make a lot of people think she was some kind of goddess… but nothing could be further from the truth.
I feel it’s way past time for the real truth to come out. I am not saying that everyone was treated the way I was. In fact, some were treated very well. I think part of it was because I was so young, and they thought I would always do what I was told to do. And I did for a long time, but when I saw others being treated differently from the way I was treated, it really pissed me off.
I guess that’s when I started to fight back. I felt like a slave and I was treated as one. I wasn’t allowed to leave the compound unless someone was with me. I was not allowed to have company on the compound, but no one else was, either. It was like a small fortress, an iron gate at the entrance, and they watched me like hawks.
I wasn’t allowed to have any friends except for the other girls who were there, and I couldn’t trust any of them. If I told someone something in confidence, it always got back to Moolah, and I would be dealt with for it. If I pissed her off too much, she wouldn’t let me work, and that meant starving, so I had to walk on egg shells for a long time.
There is no way I can explain how awful my life was for a very long time. When it was all going on, it seemed like an eternity. But in a way, I owe Moolah and my mother a lot, because they were both very controlling and made my life a living hell… and that in turn made me the person I am today. I have worked very hard to not be like either of them.
I could never do to anyone the things that they did to me, and still today I wonder why they did it! Why did my mother seem to hate me so much? I know now why Moolah did what she did: I was one of her meal tickets, and she had to control me as long as she could.
She took 30% of everything we all made before anything else came out of our money. Then she took out our travel expenses, then food, then rent because we all… or most of us… lived on her property, and so we had to pay her rent. And she added the utilities, so I always ended up owing her more money than I made. I worked my ass off for her for almost two years before I ever had money coming to me, and the first time she paid me, I got $125.00 and I thought I was rich!
The women who worked for her made her a very wealthy person. It wasn’t her talent that earned her what she had, but the talents of all of the women that worked for her. I wasn’t the only one treated badly, but I think I am the only one that is willing to tell the complete truth.
The fact is that she was a user of anyone who worked for her. I hate to speak ill of the dead, but the truth is the truth. She was a bitch, plain and simple. She was one of the worst people I have ever known.
This account is backed up by another woman who was trained by Moolah that we’re about to talk about, Mad Maxine, who had this to say about her time at Moolah’s compound:
In “Meeting Moolah,” the first chapter of a book she’ll publish once she signs with a literary agent, Mjoseth writes about her arrival at Lillian Ellison’s compound, where she was greeted by the perennial women’s champion and diminutive wrestling star Diamond Lil, who Moolah referred to as “my damned midget.”
… Mjoseth was deeply troubled by the system Moolah established at her compound to keep her students under her control. The trainees were isolated and exploited. Moolah charged them both rent to live in the barracks at her compound, as well as training fees, which Mjoseth says amounted to $1,500. “The girls went into debt to her and she controlled their lives,” Mjoseth recalls. “I made sure I had a job so I could have a phone and a car. The others were kind of marooned. It was an environment ripe for abuse.”
The first person we’re mentioning is Mad Maxine.
Mad Maxine (heh get it) was one of wrestling’s biggest “what ifs” and a unique character in the 1980’s. Mad Maxine started training in 1984 when she moved to South Carolina to train with Fabulous Moolah at her wrestling school. With Moolah’s influence and Maxine’s impressive height of 6’2, Maxine would immediately begin working for WWF in 1985 as a potential challenger to Wendi Richter’s WWF Women’s Championship. It was clear that the WWF had huge plans for her, as Mad Maxine appeared in advertisements as a main character in Hulk Hogan’s Rock ‘n’ Wrestling.. However, despite all of this, Maxine retired in 1986, just two years after debuting. And a large part of this was The Fabulous Moolah. Maxine would later describe Moolah like so:
“She was an evil person. I understand why. She came from nothing. Her mother died when she was just eight and she was never going to be poor again.”
Maxine also mentions another aspect of Moolah’s life that’s a recurring theme when most wrestlers that worked with her talk about her.
The fact that she was an actual pimp.
Mjoseth didn’t feel like her hard work was yielding any financial benefit, as months were passing, and there was no talk of any wrestling work. She recalled that Moolah did however, offer her trainees work of a different, insidious variety. “Moolah did send girls out to this guy in Arizona and pimped them out. I actually spoke to him on the phone and asked him what he was looking for. He said, ‘If I’m spending all this money, you know what I want.’ That was part of Moolah’s way of making money. She was just a bad person. Moolah didn’t have a good bone in her body.”
Despite a guaranteed future with WWF, Maxine decided to leave the company, citing Moolah taking most of her money as a primary reason.
“Moolah was taking at least half of what I was earning,” Mjoseth said, and so she, along with fellow trainees Luna Vachon and Peggy Lee Leather, decided to venture off on their own to Florida, where Wahoo McDaniel was booking. For all of the bad memories of Moolah, Mjoseth has only fond reminiscences of the treatment she received from the legendary NFL star and pro wrestler McDaniel.
Moolah would immediately take Maxine’s role on Hulk Hogan’s Rock ‘n’ Wrestling and take the title off of Wendi Richter, but we’ll talk about that soon.
Sweet Georgia Brown
Sweet Georgia Brown was a protégée of Moolah’s and was a big deal at the time. Coming from the cotton fields of South Carolina, Brown was Moolah’s first black student and went on to become a superstar in the industry. In 1964, Brown won the Texas State Negro Women’s Wrestling title and was ranked number four in the world that very same year by Wrestling magazine. Despite being a major draw in wrestling at the time, Sweet Georgia Brown much like many other cases in wrestling left the industry bitter and penniless. And the family of Georgia Brown cites two people as the main reason for it: The Fabulous Moolah and her common-law husband, Buddy Lee.
When Susie Mae McCoy left wrestling in 1972, shortly before her brothers burned her wrestling clothes, she was destitute and emotionally broken. She had wrestled to make a better life for her children, but, in the end, she lost nearly all her time with them. She knew she had been robbed, in many different ways.
Because of her years on the pro-wrestling circuit, she would later avoid relationships with men and refuse contact with whites. She spent the final 17 years of her life shuttling on the Columbia city bus between low-paying jobs, devoting what remained of her day to her children and her church, while trying to mend other family relationships that were nearly destroyed during her absence. Brown became a huge deal on the scene at the time. She attracted huge crowds and saw near superstardom in some areas as a inspiration to many at the time. She became so controversial that she would have to be driven from town to town in the trunk of a car to avoid possible conflict with the KKK. Despite this, however, she left the wrestling industry in 1972 a hollow shell of her former self. After a while, Brown finally came clean about her past in wrestling and the reality of her life working with Moolah. That Moolah and her husband would constantly drug her to keep her in line while also taking a large cut of her paycheck without telling her.
Years passed, and in 1972 Susie Mae McCoy came home for good. Her family treated her coldly, her children now recall. Her brothers and sisters were shocked and angry to learn that there were no savings. They concluded that it all had been a scam. Many of them chalked it up to dealing with white people.
Moolah went on to organize lady’s wrestling for Vince McMahon Sr., single-handedly determining who wrestled and where, and who won the matches.
Barbara asked about the white couple that brought her mother home in 1964. Susie Mae explained that they were Moolah and Buddy Lee. Moolah told Free Times last week that the event in front of the McCoy home never took place. She says she “never had a cross word” with Susie Mae.
But the McCoy family tells a different story. It seems that whatever happened on the wrestling circuit frightened the family into silence for decades.
On the road, Susie Mae received odd knocks on the door at strange hours. Then, she told Barbara, she would begin taking off her dress. When she didn’t comply, she was beaten, often brutally. Sometimes her eyes swelled shut. She had a tooth knocked out. And she was threatened with worse.
On the road, Susie Mae told her daughter, she was raped, given drugs and made an addict. Her family now believes that it was an intentional attempt to control her.
This goes in line with many other stories from the time of Moolah taking the paychecks of her trainees personally and then giving them a smaller cut later on, often times without telling them what they initially made.
In those days, the family received $30 to $50 a month from Susie Mae’s wrestling, Barbara says, and it came in the form of cash sent directly from Moolah or Buddy Lee. One of the stipulations of Susie Mae’s agreement with her bosses prohibited her from having her own bank account.
Susie Mae died of breast cancer in 1989. The name “Lillian Ellison” is still attributed to the “evils of wrestling” by the Mae family to this very day.
The Original Screwjob
If there was one thing that Moolah loved, it was money. If there was one thing that Moolah did not love, it was other people having it. So Moolah, being the super genius she was, found the perfect medium, where she could not just make money but also prevent others from making money as well.
As we mentioned before in “The Moolah Compound” section, The Moolah Method basically worked as followed:
- Moolah would first have all her girls sign contracts. These contracts basically made Moolah their bookers and gave Moolah 25%-35% of their earnings.
- She would also make sure to deduct money for travel expenses and food, which were not included in the 25%-35%.
- Moolah also made her students live in a duplex she owned while they were training, where they also had to pay for rent and utilities on top of all that.
So, Moolah had basically hustled her way to keeping down the entire industry of women’s wrestling, and this worked for literal decades. However, there was one specific talent that didn’t quite follow this, and that was Wendi Richter. Wendi Richter was a phenomenon in wrestling in the 1980’s, not just with a marketable look, but with the mainstream appeal she had thanks to the Rock ’n’ Wrestling Connection. Wendi challenged Moolah’s stranglehold on wrestling, and for that she had to be crushed.
That brings us to The Original Screwjob.
Around this time, Wendi Richter and WWF couldn’t agree to terms on a new contract, but, to Richter, there was no reason to worry about this since she was the WWF Women’s Champion. Even if plans for a new contract went south, Richter had no intention on leaving the company with the title and assumed she would just drop it on her way out. But that’s not what WWF thought, and on November 25th, 1985, WWF scheduled Richter to defend her championship against “The Spider”. Though she wasn’t told who her opponent was under the mask, Richter immediately could tell that The Spider was Moolah, as it was a cheap flimsy costume.
“All I knew was, with [Moolah], I’ve got to look out for myself,” Richter said in the interview. “Everything. She’ll try to hurt you. She’ll try to pin you. And I knew she couldn’t pin me. She couldn’t. But what I didn’t count on was the referee getting paid off.”
The match goes normally at first, with Richter being told the finish of her winning and going off that. Then, out of nowhere, The Spider tries to pin her with the shittiest small package I’ve ever seen and Richter kicks out at one. Despite kicking out at one, the ref still counts the three count and, with that, The Spider is now the new WWF Women’s Champion. Richter charges at The Spider and tears off her mask in a very Scooby Doo-esque fashion, revealing The Spider to be none other than The Fabulous Moolah.
Confused, Richter hits Moolah with a backbreaker and goes for the pin, but it’s too late. The match is over and The Fabulous Moolah is once again WWF Women’s Champion. Richter left the company and was, in a sense, blackballed from ever working for WWF again. Richter did wrestle for a few years following her WWF release, but as her love for wrestling fizzled out she quietly stepped away from wrestling. Richter would never be asked to work for WWE again until 2009 when she was contacted for the WrestleMania 25 Divas Battle Royal. She turned it down and, just a year later, was inducted in to their Hall of Fame Class of 2010.
The Glamour Girls and The Jumping Bomb Angels
So we’re at the part where Moolah actually destroys women’s tag team wrestling. In the late 1980s, Judy Martin & Leilani Kai formed a tag team called “The Glamour Girls”. The Glamour Girls started competing against The Jumping Bomb Angels in 1988, and it was around this time when they decided to stop working for Moolah. Pissed off at the fact that she could no longer make money off them, Moolah decided to hatch a scheme to bring down The Glamour Girls, a scheme that accidentally saw women’s tag team wrestling fall apart as a result. As the plans for the feud between The Glamour Girls and The Jumping Bomb Angels were to culminate in a match for the WWF Women’s Tag Team Championship at WrestleMania V, Moolah decided that was a lame idea, and instead gave Judy Martin a call saying that the office decided to have The Bomb Angels drop the championship on the very last night of the Japan tour. Thus, on June 8, 1988, despite confusion by both The Bomb Angels and The Glamour Girls, The Glamour Girls won the title by count out.
About three days before we were leaving, Moolah calls the hotel and Judy answers the phone and she says “the office told me to tell you that The Jumping Bomb Angels need to drop the belt on the last night you’re here.”
… it might have been Pat Patterson or someone from the office and said “you girls just screwed up”. And Judy asked why and he goes “How could you just go over our heads and switch the belts like that? You just messed everything up for WrestleMania.” We tried to tell them about Moolah and it’s just like they didn’t hear it or care – they were just mad we switched the belts from them.
Because of what happened, The Bomb Angels weren’t asked to come back and the match between The Glamour Girls and The Jumping Bomb Angels at WrestleMania V was scrapped. The belt didn’t even make it to WrestleMania V either, as the WWF decided to retire the WWF Women’s Tag Team Championship on February 14, 1989, just a few months before WrestleMania V.
Luna Vachon always wanted to carry on the family’s wrestling legacy and, at age 16, began training under her aunt, Vivian, and The Fabulous Moolah. Luna didn’t stay with Moolah for long, as the industry was starting to change and Moolah’s grasp of it was starting to weaken, and in 1993 she signed a contract with WWF. Luna had a turbulent career with WWF, usually because of personal demons and backstage outbursts, but she still managed to find success in a WWF that didn’t revolve around The Fabulous Moolah.
In 2003, Luna Vachon and her then husband, Gangrel, had a shoot interview where one of the topics brought up was The Fabulous Moolah. The pair didn’t have any nice things to say about Moolah, and, instead, Luna opened up about how Moolah was everything wrong with wrestling at the time, with even Luna’s aunt seeing firsthand just how much Moolah took advantage of her students.
Fabulous Moolah- According to Luna’s Aunt Vivian, Moolah is indeed a lesbian. Moolah was a big drinker while Vivian was training and that Moolah would sleep with the girls at that time. When Luna started training, she never saw any of that. However, Moolah DID send Luna out west at age 16 to pose for pictures taken by a prominent cardiologist. The pictures were all with clothes on, but it was bullshit to send young kids out there to be taken advantage of when they thought they were going to learn how to wrestle. Moolah didn’t take advantage of Luna much longer because Luna left the camp shortly after that.
It’s worth noting that during this shoot interview, the moment Moolah was brought up, Gangrel interrupted the host to say that Moolah was “basically a pimp” and expressed his contempt that Luna had to go to “that douchebag Moolah’s camp”.
Though she remained mostly clothed in the photoshoot, Luna stated that she felt like she was taken advantage of, and said that her case was just one of many within Moolah’s camp.
Here’s some smaller bullet points of things that Moolah’s done:
The experience was a positive one at first. She says Ellison was very attentive and encouraging about her career and the trailers on Ellison’s property that provided accommodation for the women were pretty good. But Parker’s outlook changed after six or seven months. She felt ripped off by the fact that Ellison, not the women themselves, would receive their wrestling cheques first, she would then take her cut and only then pass the remaining funds on to the women. Opportunities were also granted to those who were on Ellison’s good side. “Everybody knew that if you weren’t on Lillian’s good side, you got crappy bookings,” comments Parker. “I wasn’t on her good side because I wouldn’t do what she wanted me to do. That was one of the reasons I never worked Madison Square Garden because every time the bookings came up, I’d be on her bad side. As far as I am concerned I could wrestle just as good as Toni Rose, Donna Christenello or anyone of those girls (who were on Ellison’s good side).” Parker says that Ellison also interfered with her personal life. Despite Ellison’s knowledge that Parker was gay she often suggested to her that she should go out with one of her nephews. As part of her number of rules, Ellison also told Parker she was not to go to any gay bars. These tactics enraged Parker.
When Moolah was 14, she had her only biological daughter, Maryetta Carroll, which she named after herself. When Maryetta was an infant, Moolah left her with a friend and, at age 15, went out to pursue a career in wrestling. Moolah would later reconnect with her daughter, who she then forced into wrestling. Maryetta wrestled briefly as Darling Pat Sherry in the late ’60s and early ’70s and was best known for her Marilyn Monroe-like looks. She didn’t last long in the business, and this newspaper clipping explains why:
DAUGHTER OF “SLAVE GIRL MOOLAH” – Mary Carroll, 15 year-old wrestler and daughter of “Slave Girl Moolah” is shown in everyday dress and in her wrestling outfit. Police of Somerville, Mass., are seeking her mother on warrant charging neglect of the girl. Mary claimed she was forced to grapple even though ill.
As a note, Moolah and her daughter were on good terms by the end of Moolah’s life. However, it’s still worth a mention that, in her younger years, Moolah still forced her daughter to go out and wrestle regardless of her health, just so Moolah could have a little bit more money in her pocket.
Goddamn, I don’t think I can write about Moolah any longer. Unfortunately, this only scratches the surface of everything that’s come out against Moolah, and I strongly encourage you to go out and learn more about it yourself.
As for that TL;DR I promised, uh, here you go:
TL;DR: Fabulous Moolah never wanted to be poor again, and out of that fear she:
- pimped off her students to make money
- trained women to be shit to ensure that she’d never be surpassed
- destroyed careers and an entire tag team division to maintain her position
- abused and drugged her trainees to maintain control of them
- drugged Sweet Georgia Brown to control her and allowed her to be raped by promoters on the road
WWE is quick to mention about what a “trailblazer” Moolah was, and, while that’s true, Moolah was a trailblazer in another sense at the cost of the entire women’s wrestling industry. Moolah used her influence and power to make sure that women’s wrestling in the US never went past hairpulling because, shockingly, it’s tough to throw suplexes when you’re a 60 year old grandmother. Moolah’s title reign is officially recognized to be 10,170 days, due to WWE not recognizing title changes between 1956 and 1984. Moolah’s reign, itself, is a testament to how much she held back the wrestling industry. Moolah maintained her position as the top dog in women’s wrestling well into her 60s, and not only refused to put over people more than half her age, she outright sabotaged their careers out of fear over her spot being taken. It was only after WWF made her drop the belt to Richter that Moolah’s 28 year title reign was finally over, but that didn’t stop Moolah from taking advantage of a contract dispute at the time and using it to take the belt off Richter a couple years later where she still held on to it for another two years.
The Fabulous Moolah was a huge part of professional wrestling’s history. WWE is quick to mention Moolah’s legacy of playing a huge part in overturning the ban on women’s wrestling in New York, and, often from this alone, celebrates her as a hero and a role model in the world of wrestling. But Moolah’s legacy is a lot darker than WWE would like to admit, and leaving Moolah in the past is not on the WWE’s radar any time soon, as Moolah was a name of honor during last year’s Women’s History Month and is even having a battle royal in her honor at this year’s WrestleMania.
But, that doesn’t make it right.
I know this post won’t mean anything to some people on this sub. I know that there will be people out there who will look at all this and still claim “fake news” all because it’s easier to think it never happened then to do research and find out the results for yourself. That’s why there are anti-vaxxers who think that vaccines cause autism, that’s why there are people who don’t believe in global warming because their thermostat still reads 63 degrees just like it did five years ago, and that’s how people like Fabulous Moolah never get found out. There are Fabulous Moolahs in every industry. For any industry imaginable there will always be a predator out there to take advantage of the trust and naivety of others. The Fabulous Moolah was a predator and one that still gets praise by WWE to this day.
The battle royal in Fabulous Moolah’s name, itself, is not a big deal. If anything, it’s probably going on the pre-show alongside the Andre The Giant Memorial Battle Royal. But Andre left a legacy as big as his heart, and, unlike Moolah, sacrificed his health and happiness for an industry that he knew would go on without him. He didn’t halt the progress of an entire company to accommodate himself and ensure he’d keep his spot, he knew where the industry was heading and let it go on naturally. Andre was a professional, and that’s more than you could ever say about Moolah.
The Fabulous Moolah might have been a household word, but so is garbage, and it smells when it gets old too.
Reworded the Wendi Richter section to explain that she wasn’t blackballed from wrestling entirely but rather didn’t work for WWE until she was inducted to the Hall of Fame. I was going to explain this further but it slipped by me until now.
Put Fabulous Moolah’s full name in the very beginning for clarity.
Fixed a couple spelling errors.
It’s the end of one year, and the beginning of another. You know what that means; it’s time for a best of list. There were many amazing action figures released this year, too many in fact, for me to reasonably collect them all without going broke. Star Wars fans had choices beyond Hasbro and Hot Toys, with both Bandai’s SH Figuarts line, and Medicom’s Mafex line producing many outstanding figures that top domestic releases. On top of that, you have Mafex figures for WB’s Batman v Superman Dawn of Justice, and DC Collectibles’ Batman the Animated Series/The New Batman Adventures line of figures. Then you have figures that are just making it out at the end of the year like the Figuarts WWE Rock and Stone Cold Steve Austin, and a new line of Mortal Kombat figures by Storm Collectibles, of which their Scorpion is just squeaking out.
This article will cover my top 10 action figures of 2016. There aren’t any real criteria to determine this list. There’s nothing like the faithfulness to source, articulation, or the number of accessories to make me love a figure. These are just figures I’ve purchased this year, that make me happy to have them, and are consistent ‘hand candy’ on display.
‘Lilo and Stitch’ was a Disney movie I loved, and continue to hold in high regard years after it was released. While there have been items related to the film made over the years, there was nothing on the level I wanted. That changed with this figure. He had swappable upper faces to change expression, as well as extra arms to change him between his normal alien experiment and ‘dog’ looks. He also came with sunglasses and an ice cream cone from the great scene from the movie. Not to mention the articulation on the relatively small body.
The 4 Horsemen have been putting out amazing figures for years, between working on Mattel’s DC line, to working on their direct to consumer Masters of the Universe and Thundercats lines. What I’ve liked most from them has been their creator owned properties. The Mythic Legions line was their second Kickstarter campaign that ran last year, and saw the finished product released this year.
While they had about 20 characters offered, I focused my vision on their army building skeleton soldiers, their Barbarian builder set, and their Minotaur figure Asterionn.
Generally speaking, among all fairytales and mythic stories, I gravitate towards the monsters. It’s the reason I enjoy the Friday the 13th, Nightmare on Elm St. and Halloween films more than many recent gore fest horror films. This figure tickled that fancy, scratched that itch, however you want to put it. I also picked up 4 of the skeleton builder figures, but this guy’s armor that pops with color, selection of customizable weapons, and the fact that he becomes a kind of kindred spirit with my 4 Horsemen Xetheus Minotaur pushed him over the top.
Queen was a band I grew up loving, and Freddie Mercury was a big part of that. His vocals were one major selling point of their work, but his visual flair on stage and in videos helped cement him who would capture my attention. With the included extra parts, you can also recreate a variety of Freddie’s poses or moments from videos. This figure is honestly as close to a real person I think I had seen to that point, and makes me wish Bandai would release figures of David Bowie, Axel Rose and Slash, and Jim Morrison (of the Doors) just to name a few. To me, that is a major selling point for a line, when it makes you want so many other items in the same vein.
Poses! While the Hasbro Marvel legends Deadpool that was also released this year (he made the honorable mentions list) was great, he couldn’t hit some of the wild, often off the wall poses you can get with this import figure. I understand that not everyone is a fan of the Revoltech ball joint system, or the way they can look in ‘vanilla’ poses, but this figure was MADE to be put into as many crazy, off the wall poses you can think of. The included swords and guns fit in his hands well, and the swappable eye pieces only add more fun to the poses you can pull off. They were even clever enough to include speech bubbles on the box that you can cut out and use with the figure. I also admit that I can never have too many Deadpools, even if he does rub some people the wrong way. I look forward to seeing the first in hand pictures for the upcoming Spiderman and Venom figures they’ve been showing off.
This is a figure I have been waiting for since 2008. I made the trip to SDCC from New York back in 2008, mainly to experience the show at least once, and to meet some friends, but I was able to see the prototypes for this box set (Shredder, Kraang brain, Foot soldier, elite Foot soldier, and another Foot soldier with a headband) in NECA’s display cabinet. At that point, they were promoting the April O’Neil figure that was out, and hoping to release this planned wave, as long as the sales were good enough. Sadly, the line died well before they ever made it out, and NECA had to deal with fans CONSTANTLY asking when they would release those figures. Jump to the summer of this year, and NECA showed off a set of video game pixel decorated Ninja Turtles on new bodies, and this set in the same game deco.
Coming into the end of summer, and New Your Comic Con, NECA revealed that they would FINALLY be releasing the Mirage deco of Shredder and the Foot ninja set, and this one, unlike the SDCC set, was available to order online without the same kind of issues. I sadly had to pass initially, due to funds, but when they came up again when NECA was running a website sale, I happened to have some eBay funds available, and I jumped at the chance to finally complete my Mirage TMNT set (minus an April, but who’s complaining, certainly not me). Shredder (and the others, actually) live up to the anticipation. Shredder is quite poseable, and comes with a set of alternate hands that can hold any of the weapons that come in the set, and the elite Foot Ninja’s cape can be thrown on old chrome dome if you want a more ‘cartoon’ looking Shredder.
Bandai SH Figuarts Bruce Lee
I love kung fu and action movies, so it should come as no surprise that I am a fan of Bruce Lee and his films. I also loved his son’s performance in ‘The Crow’, but that would be another article entirely. I have one of the Hot Toys Bruce figures, but have always wanted one in my favorite 6 inch scale, so when it was announced that both Figma AND Figuarts were making Bruce Lee figures (of the same version, even), I was ecstatic. I ordered both, and while the Figma version isn’t bad per se, the Figuarts version just hits a few more points on the fun list than the other. He comes with alternate faces, hands and a choice of weapons. He’s able to get into amazing poses, and even comes with outstretched thumb hands to pull off one of his taunts in his films. He’s a great figure to have on hand to throttle any number of other figures if they get uppity. There is also a yellow jumpsuit ‘Game of Death’ version coming, that I cannot wait for.
I wasn’t old enough to see the original Star Trek when it first aired, or even first his syndication, but I had seen some of the films, so I was familiar with the cast and crew of the show. That said, I am also a big fan of Leonard Nimoy’s portrayal of Spock, and having loved Mezco’s The Dark Knight Returns Batman from last year, I was more than interested in having a real life actor immortalized in my new favorite line. I waited to see some reviews and in hand responses, just to make sure the figure wasn’t going to fall apart, or that the outfit wasn’t fraying right out of the box. Thankfully Mezco seems to know what they are doing, and they knocked Spock out of the park. The 2 head sculpts look like Nimoy shrunk down to toy size, and the tailoring on the uniform is fabulous. He comes with a tri corder and phaser that both look straight out of the show, and a series of alternate hands. I have his shipmates Kirk and Sulu, and am eagerly waiting to see who Mezco shows off as the next crew member to see release.
I grew up in the 80s, so the original Teenage Mutant Ninja Turtles cartoon and even the first Jim Henson suited live action movie played a big part in my early fandom. I had already purchased the Playmates Classic TMNT cartoon figures, along with the Beebop and Rocksteady they put out, as well as their version of the first movie figures, so I was happy to just skip the turtles themselves, and get the Shredder figure that was shown at one of the conventions this year. Then I started seeing the reviews, and the pictures of the brothers in action, and my resolve broke. I currently have all of them but Michelangelo, whom I will be getting soon enough.
These are as close to a perfect representation of the cartoon looks of any articulated figure I can think of. The selling point of the guys is the solid metal lower legs and feet, which allow for amazing stability in posing them in basic standing positions, or more dramatic action poses. They come with a selection of extra hands, an alternate head, their signature weapons, and an accessory exclusive to them. I already had the Revoltech figures of the new Nickelodeon TMNT figures, so I wasn’t on these as well, but everything I kept seeing made me happily change my stance. Now I can’t wait to see what Bandai has in store for this line, as I have a list of figures I would love to see made.
After the release of Mezco TDKR Batman, the online toy community hoped and prayed that they would eventually get the chance to tackle some Marvel characters. The collective prayers were answered when the first few Marvel characters were revealed, and the first figure to be released would be a classic inspired Captain America. The only drawback was that he was a SDCC exclusive figure, with a special metal shield tin package, which raised the price over the then fairly normal $80 price point. I loved the reviews of the figure I saw coming out of the convention, from people who got him there, but was hesitant with the price, as the tin wasn’t a real selling point for me. I eventually came across a seller who had him for a little less than what he was going for at the con, so I but the bullet and ordered one.
What I had experienced with Batman, Judge Dredd and the Star Trek crew was brought even further forward with the good Captain. He took everything Mezco learned with all their previous releases, and improved on it. Cap’s suit is quite detailed, with each scale on his upper body apparently glued on 1 piece at a time, with the star inserted through a small hole in the shirt into a hole in his chest. The rest of the outfit is kind of a modern take on what his WW2 gear might have looked like, so there are no flared gloves or boots. His left glove has magnets that allow the shield (which also has magnets) to hang on his arm without Cap having to physically hold the handle. The magnets aren’t quite as strong as the magnets that were used by Dredd for his shoulder pads, but they were a cool idea. The shoulder harness he comes with also has a magnet that allows you to display him with his shield slung over his shoulder. Between the Trek crew, this figure and my choice for #1 below, it cemented my decision that this line will likely be my main focus for the new year.
- Mezco One:12 Collective Batman Vs Superman: Dawn of Justice Batman
I still own my fair share of Batman figures. With that said, I think I can safely say that the Mezco One:12 Collective Dawn of Justice Batman is the best version of the character made in the 6 in scale. While there might be more popular depictions of the character in either comics, television, movies or video games, as far as bringing the look of Batman to this scale, I feel this guys nails it. The textured suit is tight, but doesn’t really restrict the movement like you would think. The cape is sort of a pleather material that drapes almost as well as the TDKR Batman that Mezco first made, which is impressive considering it’s an entirely different material. He grappling gun actually attaches to his belt, the first time I can ever recall that being a feature on a figure. The articulation is amazing, with the only real drawback being that he can’t really get into a deep crouch, but there hasn’t been a Batman yet that could do it.
I understand that the Snyder films haven’t been everyone’s cup of tea, but I have enjoyed the films, and I absolutely loved Ben Affleck’s portrayal as Bruce Wayne/Batman. This is a grizzled Batman that has seen some crap go down. The 2 head sculpts on the figure have a great likeness to Affleck at this scale. I’m eagerly waiting for the Superman to see release, even after the last minute delay in December by Mezco. That’s the one hang up with the One:12 line, delays. If it was related to quality control issues, I wouldn’t mind, as long as Mezco said they weren’t happy with what they were seeing, so they had the factory go back and make fixes. Despite the delays, every release has lived up to expectations, so I eagerly await the next figure coming in the One:12 line.
Mezco Star Trek Captain Kirk
Mezco Star Trek Sulu
Bandai SH Figuarts Iron Man 3 Tony Stark
DCC Icons Harley Quinn
Hasbro ML Wolverine
Diamond Select Muppets line
Diamond Select Ghostbusters
Diamond Select Gotham figures
Hasbro ML Deadpool
Thanks for reading.
Hot Toys X-Men Origins: Wolverine:
Salem here with my second Hot Toys review. This time around I’m going to cover the Wolverine figure from X-Men Origins: Wolverine.
After I received my DX01 Joker figure, I knew I was going to get sucked into buying another Hot Toys figure; I just wasn’t sure which one it would be. Then I saw the initial pictures of this figure, and knew what it would be.
The packaging is as nice as any of the Hot Toys boxes I’ve seen pictures of online, and as nice as the DX Joker box I have sitting on my shelf. Unlike the Joker box though, this one just has a paper lining with graphics and text between the outer box and the figure tray. The box doesn’t feel as thick either, so I would suggest caution before tearing into the box to pull the tray out. The outer box mimics some of the movie posters featuring the 3 claws, and the Origins logo. The sides of the box have a nice shot of the figure, and the back features a nice shot of Logan with all the usual Hot Toys info about the people who worked on it.
Now I’ve seen some comments online about the likeness to Hugh Jackman, and I can understand it to an extent, but I think the figure really captures the look from the film, but more importantly, it just screams Wolverine to me. It’s true that he looks better at some angles more than others, but I am not going to say that he looks nothing like Hugh did in the film.
If you have any other Hot Toys figures, you have an idea about the level of quality that they put into the clothes that these figures come with. Wolverine comes with a great leather jacket that matches the movie very well, and has a nice weathering effect. He also has a nicely tailored button shirt that has tiny, in scale buttons glued in place, and two snaps that close the shirt at the bottom, giving the figure that James Dean half open shirt look. His last shirt is the white tank top that Logan sports throughout a good portion of the movie. It matches the film well, and has a nice design that work wonderfully in this scale. Next are his jeans, which look great for this scale. They have a nice denim texture to them, and the stitching matches up to 1/1 scale jeans. He also has a working belt with a detailed buckle and his dog tags with his name on them. The last little detail as far as clothes go (and I don’t really consider them clothes) are his black cowboy boots.
One of the selling points of this figure was the new sculpted rubber torso under all those clothes. The body looks a little small without the shirts and jacket, but the work that went into it are phenomenal. All of his skin is painted very well, and he even has visible veins up his arms and neck, and on his torso. His arms are also a new (as far as I know) sculpted muscle variety, and also feature painted arm hair.
The articulation is everything you would expect from HT, and he delivers on all the poses I tried out on him. The jacket does limit his posing a small amount, but you can still get him into enough of the “claws out” poses to satisfy that need. A word of warning though, due to the rubber torso cover, you need to tilt his head up (face forward) BEFORE you turn it, or you can run the risk of rubbing off some of the paint on his neck. There are instructions in the package, but just a heads up.
As far as accessories go, he seems a little light after getting Joker, but he comes with the must haves, the claws. These are quite sharp, so be careful while popping those hands on. I have read multiple stories of people online stabbing themselves while switching hands. He also comes with his aforementioned dog tags, a pair of open hands, and a pair of clawless fists. I would have welcomed the inclusion of a cigar, as it was part of the film, and a big part of Wolverine’s shtick for so long in the comics.
In summary, if you can still find this figure, I would suggest snagging him as soon as possible. I have seen mention of this becoming harder to find, so if you have connections you can utilize, do it. Otherwise the evilbay may be your only option to own a wonderful figure that starts off the Hot Toys Marvel figures. I hope to get the Blade 2 figure that has recently been released, and if I can, you might see me return with a review of him. But until then, happy toy hunting.
This is basically my main photo setup when I’m going to really get into an involved shoot. I’ve taken 3 different photography classes just because I wanted to improve my photography in general (though that isn’t really needed for those of you doing it as a hobby).
This is an adjustable photo backdrop kit I bought at a local photography store. The kit came with the 2 poles that extend up to 8 feet, the bar that attaches between them (also extendable), and a roll of white photo paper. The black you see in the image is black velvet I bought at a fabric store. It’s a yard wide, and 6 feet or so long (to give me some flexability with what I can shoot; for depth or height). I also bought the 2 photographer grade lights with diffusers, and bulbs. These are also not really needed as I spent many years using cheap LED lights that worked fine, and just needed a little post production help. I am trying to seqway this into some possible paying work, so I invested the money on the equipment.
For my camera, I currently use a Cannon DSLR. If you don’t do a lot of photography in general though, a good point and shoot camera with at least 10 Megapixels will be more than enough to make this hobby fun. NOTE: Make sure the camera has a MACRO setting if you don’t go the DSLR route, as that setting will be instrumental in getting clear shots.
Now, for those on a budget, a large piece of smooth paper taped to a wall and sloped onto a table or counter can get you the same effect as I get, or you can also buy a photo cube online (or a local photography store if you have one, and they carry them). Like this one at Amazon.com
This diagram shows the basic setup and placement of light whether I’m using the photo cube (which is what this was designed to illustrate) or my large backdrop setup. The only difference with the larger setup is that I face the lights backwards so the diffused light from the umbrellas is what hits the figures, and not the harsh light from the bulbs (which in that case, can get quite hot). The general idea is to get the lighting where you want it, so it gives you the proper effect or mood you’re going for. If you want a moodier/darker shot, shut all the other lights off, and close any curtains in the room, so the only light the camera will pick up is the one you have on the figure (wherever it’s positioned). The other thing I learned early was that a tripod is your friend. If you can’t shoot using a remote trigger, set the time on your camera, get the shot setup, press the button and get your hands out of the way. Camera shake is one of the biggest issues for any photographer, and if you’re trying to get a shot in the dark, you definitely don’t want to shake the camera while it’s trying to compensate for the lack of ambient light. Again, I personally have a professional grade tripod that extends to 6 feet high, but any simple table top version they sell at Walmart or Target should be fine. Even some boxes stacked in front of your area will work, if that’s all that’s handy.
Props and accessories: I have bins full of weapons, power effects, street accessories, and random fodder that I keep accessible for whatever I’m thinking of shooting. I also have them in multiple scales, since I’m not stuck to one scale in my collecting habits. I personally try to have a plan in place for what I want to shoot before I get all of my equipment out, because like many of you, I don’t have a dedicated area to keep my setup permanently at the ready. I use a 6 foot folding table for everything, and setting it all up takes a good 20 minutes, so having everything thought out (even general ideas) helps me round up all the pieces I’m going to need, so that I can sit there and work through all of it in one shot. I learned this, and recommend it to everyone, take multiple shots from multiple angles because you never know what might look best until you’re looking at it on your monitor, since the LED screen on your camera is not meant for ideal image quality. It’s also possible that the one shot you thought you nailed will end up having something wrong with it when you start to look them over. Having readymade backup options is better than trying to set everything back up in the exact same way, with the exact same lighting conditions on 2 separate occasions.
Here’s the completed shot from the setup image at the beginning.
Here’s a short video of the process as well.